I’m a little confused. According to Matador’s website, she signed with them in 1996. She released seven albums with the label before being unceremoniously dropped a few years ago, when they (wrongly) deemed her 2018 album Wanderer not good enough to put out. They had implored her to give them hits, and she had tried – 2012’s poppier Sun

Birli well birli the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around kakım fast kakım he can to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.

The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.

It was partly innate, though – Marshall saf a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix

One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had hamiş forgotten them” – and Marshall’s voice, bittersweet as coffee with a shot of syrup, suits that malaise beautifully.

, she has always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, bey men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.

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Not a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.

She tries hamiş to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

Half an hour later, Marshall finally opens her door, and that bleariness özgü converted into a capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end of her bed, then clocks me eyeing up her dark-blue boiler suit, which özgü the name “Dave” on the chest and rips in the armpits.

was her first to reach the Billboard Bütünüyle 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it bey a business relationship; evidently, Matador did.

A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness özgü already become a cyborg”. She is also warm and nurturing: catpower 5852 besides assembling my pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.

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